Knowing that Markus had the kind of giggles that makes everything hilariously funny, I took him out of the room, off set and calmed him down away from the rest of the cast and crew. He managed to regain enough composure to continue on with the scene – he admitted later that he stood in a spot where he couldn’t see Danny before he walked in for every take after that.
We started to power through the scene. Victoria, who was due to shoot her scene at around 3.30pm, showed up at 3pm, as we’d asked, but as we were running a little behind schedule it gave her time to tweak her costume and make-up. So we continued, moving onto close ups of the boys to give us coverage for the scene.
It was during Danny’s close up that a sudden burst of voices ruined the take. I poked my head out the door, expecting the voices to be walking in and out of the theatre opposite – but there were two singers who had parked themselves right outside the door to the room we were in (so close that I actually hit their chair with the door when I opened it). I asked them to move whilst we were shooting and they, thankfully, did so.
About five minutes later, the band started up.
We had two shots left to shoot in that location, so we decided that the best way to get around it was to just go for it and cross our fingers that we got a few clean versions. Amazingly enough, we did, so we wrapped our first location and moved downstairs to set up for the next one. The next was going to be quick – it was only three shots – but as it was late in the day, it meant that we had to shoot night for day because England is annoying and loses daylight astonishingly quickly in November (it was around 5pm and it was nearly pitch black outside already).
Jamie and Jim managed to set up the lights so that the inside looked fine and Jamie framed out the windows and we were ready to rock and roll. We shot that scene very quickly and without too many hold ups and we were going to move on when we realised our next location was right under the theatre where the r’n’b band were rehearsing.
In a blindly hopeful moment, I asked Jack (the soundie) to have a listen and see if we might be able to get away with shooting something. He walked away and I apologised to Victoria for keeping her waiting for so long. Jack reappeared and said it was impossible. We had no choice but to wrap early, so I made the decision to start at 9am the next morning instead of 11am to get the scene we couldn’t shoot then done in the morning.
Unfortunately that meant that Victoria had come up to High Barnet for no reason which I felt awful about, but she was wonderful about it and once we packed up and got out of there for the day.
We’d had a few setbacks on day one and even more to shoot the next day, so I knew we had to be focused to get through everything we needed to and get everything shot. But day one was done and for now, I could let myself relax for a little while until reviewing scenes and shot lists for day two.