Day one of With A Little Help From Our Friends was a late start.
Because the location we’d managed to get was a theatre school, they had students in there until 1pm. So we scheduled the call time to be at 1pm on Saturday and we planned to wrap at 5pm and shoot two (and a bit) scenes.
However, Jack had been told on Friday afternoon that they’d hired out the theatre to a (wait for it) r’n’b hip hop band from 1pm -6pm who needed to rehearse, after assuring us that we’d have the place to ourselves for the weekend. They figured because we weren’t actually shooting in the theatre that day, that it would be fine.
The issue here, of course, was that we weren’t shooting a silent movie. As the location was on a main road, traffic noise was bad enough as it was, so the added DOOF DOOF DOOF of bass and drums wasn’t exactly a welcome addition to the soundscape.
There wasn’t much that we could do. We decided that we’d shoot as much as we could and if we had to, shuffle Sunday’s schedule around slightly to shoot a little bit more if we had to.
I headed up to High Barnet at about 11am. I wanted to be there early just in case things went entirely pear shaped and as it got closer to the call time, the more I just wanted to be on set. On the tube ride up, I went over shot lists and schedules and wished that I had reception on the Tube in case anything went horribly wrong. Nothing did. I caught up with Jack and we went and got some lunch (I had an idea for another short in the meantime) and by the time we got back to the location, we could go in.
But we couldn’t start doing anything until the kids were out. And the kids weren’t out until around 1.30pm-ish.
Everyone else was on time though, so we set the actors up in a room with the unit and drinks and I took Jim and Jamie around to show them where we were going to be shooting. After being unable to find a lightswitch for the room (hey, it was behind the desk at reception and nowhere near the room, okay?!), we decided the room was too echo-y for sound, so we changed our minds and chose the room we’d set the actors up in (the ‘green room’, if you will).
After dressing the set, I left Jamie and Jim to light the space and I took Danny and Markus (Des and Max) into the theatre to refresh the scene in their heads. We were going to shoot the entire scene in one go in a wideshot/two shot first, then punch in for close ups and then pick up any other sections that needed a little more coverage.
The boys ran the scene on the stage (which I told them was the girls’ set for the next day. Cue violent jealousy). Because we’d had the opportunity to rehearse, it was a matter of running the scene and only slightly tweaking their performances, as well as taking the chance to discuss alternate options in the week since the final rehearsal. Both Markus and Danny are fantastic actors (I always have to bury my face in my script when they run it to keep from laughing aloud) so it was a matter of them finding the rhythm and beats again. I didn’t want to run it too many times without the camera rolling as the scene can become too rehearsed and stiff, so we headed back onto set.
It was already 2pm by now, we’re already running an hour late. There was the added pressure of the fact that the r’n’b band who were going to ruin our sound hadn’t turned up yet so it became a little bit of a race to see how much we could get shot before they showed up.
But we were ready to go, so we started rolling.
The trouble with shooting a comedy is that the script is funny.
Luckily, I had crew who were focused enough on their individual roles that no-one burst out laughing on set.
However, that didn’t stop Markus from getting the giggles.
We’d done about three takes of the first shot when halfway through, Danny stopped, confused as Markus completely lost it laughing.
We’re running an hour and a half late, my lead can’t stop laughing at my script and the band have finally showed up.
And we’re only two hours in!